First Checkpoint | Sword Slasher Script - 2023
Watsuki based most of Kenshin's abilities on a real swordsman of the Tokugawa period named Matsubayashi Henyasai [ja], who was skilled in acrobatic techniques. However, one of Kenshin's moves where he stops an enemy's flamethrower by rotating his sword received multiple complaints with Watsuki admitting the move as somewhat out of place and "not really organic" to his world. By early publication of Rurouni Kenshin, Watsuki was unsure whether or not Kenshin and Kamiya Kaoru would become lovers in future chapters. Sagara Sanosuke was created to be Kenshin's best friend who would punch him order to make him retain his composure. However, Watsuki did not think the idea worked as much as possibly. For the final fight between Kenshin and Shishio, Watsuki admitted he expressed more joy in drawing Shishio than Kenshin. During this arc and mostly the final fight between Kenshin and Shishio's fight Watsuki kept listening to the song "In The Blue Sky" from the video game Virtual On; the song's title was used in the final chapter of the Kyoto arc. Additionally, the final shot of Kenshin returning to Kaoru's dojo was inspired by the final shot of the Rurouni Kenshin anime's first opening theme:"Sobakasu" by Judy and Mary.
First Checkpoint | Sword Slasher Script - 2023
Like several characters, Kenshin was influenced the Shinsengumi with Kenshin being affected by Okita Sōji and Saitō Hajime in order to give him an air of mystery. According to Watsuki, when he found that Kawakami maintained a duty to his dead comrades, he decided to create the title character. Since Watsuki's debut work contained a tall, black-haired man in "showy" armor, he wanted to make a character "completely opposite" to the debut character; the new character ended up "coming out like a girl". According to Watsuki, he used "no real motif" when creating Kenshin and placed a cross-shaped scar on his face "not knowing what else to do." During his fight against Shishio Makoto's army, Kenshin is given a new sword with a sheath made of wood. Though it is more difficult to draw, Watsuki decided to redesign the sword to make it look like the first one Kenshin had in the series.
In the first Rurouni Kenshin kanzenban, published in Japan in July 2006, Watsuki included a draft page featuring a redesign of Kenshin's character. To make his X-shaped scar more notable, Watsuki made it long enough to cross his nose. Kenshin's hair is tied in two tails, which are flowing to make him look younger, and shorter, and less androgynous. Watsuki also added a Habaki to Kenshin's sword to make it easier to draw by simplifying its structure, while also emphasizing strength. Kenshin's hitokiri look was also redesigned slightly, by making his clothes more worn and giving him Yukishiro Tomoe's neck scarf.
During an interview, Satoh said Rurouni Kenshin was one of the first manga he read to the point he would play sword-fights with his friends. Additionally, once he was cast as Kenshin, Satoh started intense swordsmanship training. Satoh said he liked Kenshin's character to the point of enjoying role in the three films. However, the actor expressed pressure in doing the role as a result of having to take part in multiple fighting scenes. Nevertheless, Satoh said he enjoyed Kenshin's lines due to the impact they have on most characters, most notably his enemies. Due to the Kyoto films showing a darker characterization of Kenshin as he struggles against different strong rivals, Satoh also said his work became more challenging. Still, he found it interesting. A scene that Satoh enjoyed was Kenshin's fight against Sawagejō Chō due to the fact Kenshin is forced to attack his enemy even though he does not know his weapon is deadly which goes against his morals; as a result, Satoh briefly showed Kenshin's hitokiri side for a brief moment. The actor said he discussed this scene with the director who pleased with the result. Kenshin's strongest technique, the Amakakeru Ryū no Hirameki, was Satoh's favorite move as he likes its meaning. While Kenshin shouts his attacks' names in both manga and anime, Satoh instead decided to say the names after performing those moves.
Kenshin has been highly popular with the Rurouni Kenshin reader base, having ranked first in every Weekly Shōnen Jump popularity poll of the series, always with more than double the votes of the second place character. Two polls by the official Rurouni Kenshin anime featured Kenshin as one of the series' most popular characters. In the first, Kenshin was at the top, while in the second, he placed second. His Battōsai incarnation was also fifth in the latter poll. Kenshin has also been featured various times in the Animage's Anime Grand Prix polls, ranking as one of the most popular male anime characters. In a Newtype poll in March 2010, Kenshin was voted the eighth most popular male anime character from the 1990s. An abundance of merchandise have been released in Kenshin's likeness including keychains, action figures, and plush dolls. Since the manga was published, non-functional and functional sakabatō have been produced for purchase by collectors and fans. In a poll by Anime News Network, Kenshin was voted as the second best male anime character with long hair, being surpassed by Edward Elric from Fullmetal Alchemist. In 2014, IGN ranked him as the fifth greatest anime character of all time, saying that: "Although Kenshin's momentary lapses make him a complete badass and set the stage for some of the most epic sword battles ever animated, Kenshin always goes back to his sweet persona once the danger is gone." Kenshin was also fifth in IGN's Top 25 Anime Characters of All Time with writer Chris Mackenzie describing him as: "A classic example of a classic anime type, the peace-loving killing machine." Kenshin's Amakakeru Ryū no Hirameki technique has ranked third in a Japanese survey that featured the most popular moves in manga and anime. In a poll by Anime News Network, he was voted as the top "guy". In a Japanese TV special from August 2017, Kenshin was voted as the 16th "strongest hero" from the Showa Era as well as the 15th one from the Heisei Era.
Mad Men was conceived as a spec script by TV staff writer, Matthew Weiner in 2000. It was the originality of the concept offering a glimpse into the world of New York advertising in the 1960s that first got Weiner a job as a writer on The Sopranos.
Originally titled Thirty-Six, this is a solid family-based TV pilot script that first aired in 2016 on NBC. Reading this will be especially helpful to those writers attempting to interweave the emotional storylines of various family members while utilizing the use of flashback.
Thank you for these TV scripts! I have written my first television sitcom pilot and I have recently sent the finished script into a TV scriptwriting contest. I will always come to these in the future in case I want to write any more television scripts.
When introducing a character for the first time in an action description, capitalize their NAME and include a very short sentence (or just handful of descriptive words) that detail their age, personality traits, or other unique characteristics that provide your reader a better understanding of who they are.
All creative projects and creative people take varying amounts of time to start and complete their work. Scripts are no different. Writing your first script can take more time because you will be learning the ropes, but a few months is an appropriate amount of time to create a really impactful first draft. 041b061a72